Conversations at the Edge

AN EVENING WITH DARA BIRNBAUM

Thursday, February 11, 6pm | Dara Birnbaum in person!

Still from Technology/Transformation: Wonder Woman (Dara Birnbaum, 1978-79). Courtesy the Video Data Bank.

Thirty years before the ubiquitous YouTube mash-up, artist Dara Birnbaum hijacked television imagery in a series of coolly ironic videos that recontextualized pop cultural icons (Wonder Woman, Kojak, Laverne & Shirley), TV grammar (inserts, [...]

WORLD PREMIERE: THE INDIAN BOUNDARY LINE

Thursday, February 4, 6pm | Thomas Comerford in person!

Still from “The Indian Boundary Line,” 2010. Courtesy the Artist.

Over the last eight years, local musician and filmmaker Thomas Comerford has been at work on a series of quietly-observed films that contemplate the entwined social, political, and environmental histories of Chicago (Figures in the Landscape, 2002; [...]

An Interview with Laura Heit

School of the Art Institute Animation Professor Chris Sullivan speaks with Laura Heit about her practice.

Chris Sullivan: What options or answers does animation offer you that are different than other medium?
Laura Heit: My work is visual first, and my background is drawing and printmaking—image making—so this is the way I think, the way I form [...]

LET EACH ONE GO WHERE HE MAY

Thursday, December 10, 6pm | Ben Russell in person!

Ben Russell, Let Each One Go Where He May (2009). Image courtesy of the artist.

Fresh from its world premiere at the Toronto International Film Festival, Chicago-based filmmaker and SAIC alumnus Ben Russell’s stunning feature debut is an epic road movie that draws from documentary and ethnography [...]

LOOK FOR ME: ANIMATED FILMS BY LAURA HEIT

Thursday, November 19, 6pm | Laura Heit in person!

Image: Laura Heit, The Matchbox Shows (1999-current). Image courtesy of the artist.

Poignant and smart, the animated films of puppet artist and SAIC alumnus Laura Heit employ stop-motion, live action puppetry, hand-drawing, and computer animation. Heit is the co-director of the Experimental Animation department at [...]

VARIABLE AREA: HEARING AND SEEING SOUND, 1966–78

Thursday, November 12, 6pm | Art Lange, Guillermo Gregorio and Brian Labycz in person!

Still from The Gypsy Cried (Chris Langdon, 1972). Courtesy the artist.

Experimental Sound Studio’s Outer Ear Festival of Sound and CATE team up once again to present a program of films that investigate the visual and aural possibilities of 16mm optical [...]

ALL TOGETHER NOW: VIDEOS BY HARRY DODGE & STANYA KAHN

Thursday, November 5, 6pm | Harry Dodge and Stanya Kahn in person!

Harry Dodge and Stanya Kahn, “Can’t Swallow It, Can’t Spit it Out” (2006). Image courtesy of Elizabeth Dee Gallery.

With a biting yet surprisingly tender wit, Los Angeles performance and video artists Harry Dodge and Stanya Kahn couch social critique in bizarre, hilarious, [...]

Interview with Golan Levin by jonCates (2003)

Following Golan Levin’s September 17 appearance at CATE, we present you with an excerpt of an interview conducted by SAIC Assistant Professor of Film, Video, and New Media, jonCates, in 2003. This interview was done as part of Cates’s Critical Artware project.

Double-Taker (Snout), Interactive Robot from Golan Levin on Vimeo.
jonCates: Have the histories and developments [...]

More Details on Hollis Frampton’s SOLARIUMAGELANI and Book Signing

Images from Frampton’s Solarumagelani.

Program Details
Summer Solstice (Solariumagelani) (1974, 16mm, color, silent, 32 min.)
“…the operations that dislocate a film like Summer Solstice–I hope irreparably–from being a movie about the locomotion and eating habits of cows, a dairy farm document, or what have you, are finally of a whole lot less concern to me than the following [...]

Hollis Frampton: SOLARIUMAGELANI

Thursday, October 15, 6pm | Frampton scholar Bruce Jenkins in person!

Image: Hollis Frampton filming Winter Solstice. Image courtesy of Anthology Film Archives.

Filmmaker, photographer, and theorist Hollis Frampton (1936–84) is a major figure in the American avant-garde. Ambitious in scope, his films wittily engage with philosophy, mathematics, and science. CATE presents a rare screening of [...]

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